免费短剧动漫综艺视频分享大全 - ITV 免费短剧动漫综艺视频分享大全 - ITV
游客
封面图
  • 提示不要轻易相信视频中的广告,谨防上当受骗!
  • 提示如果无法播放请重新刷新页面,或者切换线路。
  • 提示视频载入速度跟网速有关,请耐心等待几秒钟。

资源列表

关于在短时间内的某几个人的经过

😘为本站充电
帮助本站持续运营赞助所得将全部用于服务器续费与升级。
为什么需要赞助?
众所周知,视频网站的数据量是非常庞大的,动辄十万+而且很多人都会不约而同的在某几个时间段扎堆般的涌入站点开启免费的视听盛宴,导致网站阶段性并发数居高不下因此维持网站的正常运行需要支出更加高昂的服务器和带宽费用。 随着访问量的日益增加,80%以上栏目免费开放的模式令团队逐渐难以维继。为了能继续坚持为影视爱好者提供稳定和流畅的观影体验,希望能得到大家的理解和帮助。感谢所有为本站提供过支持的朋友们! 人人为我,我为人人。本站未来会继续努力让看电影追剧变得简单和轻松!
二维码
支付宝打赏
二维码
微信打赏

1.如播卡顿或失败可切换片源线路。

2.播放流畅度跟设备网速及硬件配置有关联,如播放失败或持续卡顿,请尝试更换终端或者网络环境。

3.请不要相信视频中的广告,视频中广告由部分片源提供方捆绑,非本站所加。

备注:HD

年份:1959

主演:未知

类别: 短片

Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.  These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.  Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.  Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.  Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.  The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.  Our camera has captured for you a few aspects of a provisional microsociety.  The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.  This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.  The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...  Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�  Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.  Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.  On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.  Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.  Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.  Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.  Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.  The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.  What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.  Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.  Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.  Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.  Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.  Voice 2 Years, like a single instant prolonged to this point, come to an end.  Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.  Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept  Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.  Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.  Voice 1 Really hard to drink more.  Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.  Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.  Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.  The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.  To really describe this era it would no doubt be necessary to show many other things. But what would be the point  Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.  1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.

相关影视

更多
乳汁
在孩子死产几天后,罗宾的乳房开始分泌乳汁,她无法将乳汁扔掉,于是决定捐赠,但寻找捐赠场所比她预想的要困难得多,于是越来越多的乳汁开始挤满了她的冰箱和她的生活。
未吟之歌
入围华沙电影节前两部竞赛。                         &n
四月2024
医疗资源有限的乔治亚乡村,单身寡言的妇产科医生,把全副身心奉献给工作。看诊接生无数之余,还违反规定,私下协助无助女性堕胎,为这些家暴、性侵与荒谬观念的受害者,保有一丝身体自主权。然而一次手术意外,却让
英雄利沙比:农民起义
本片讲述了一位民间英雄反抗暴虐王朝的传奇故事。他为了自身的自由而战,结果彻底改变了约鲁巴的历史。
马可
A nbsp;drama-thriller that tells the story of a deportee who never existed. It spins the tale of th
快马驰情
新婚夫妇穆里尔和李在后者从朝鲜战争回来后开始了光明的新生活,然而不久后,新建立的稳定状态被李魅力十足的弟弟朱利叶斯的到来颠覆,他是一个有秘密、任性的赌徒,一段危险的三角恋很快形成,三人立誓要一起在加州
神圣之夜:恶魔猎人
马东锡 , 徐贤 , 李大卫 , 景收真 , 郑知晓
致命玩偶2025
  迷信网络信息的妻子雪青(王敏奕 饰)和丈夫浩华(张兆辉 饰)痛失独子,精神崩溃的她通过网络找到了灵婆梅姨(罗兰 饰)并请回了一个被儿子“附魂”的布娃娃,随后家中诡事不断……
芙朵娜的眼泪
  Fortuna, a 14-year-old Ethiopian girl, has had no news of her parents since arriving in Lampedusa,
嬉皮士的情调
  “We're a bunch of spoiled teenagers with nothing better to do than sit around and talk meaningless
杀羊人
  这部影片拍摄于1977年。  洛杉矶南部的贫民窟,斯坦一家就生活在那里。斯坦在屠宰场里工作,虽然他没日没夜地拼命乾活,但菲薄的薪水仍然不足以改善他们贫困的生活。由于整日忙于工作,同妻子和淘气的儿子
罗宾与她的伙伴们
《罗宾与她的伙伴们》当一个不择手段的地产开发商(哈里斯 饰)威胁到他们位于街道尽头、杂草丛生却充满魔力的“王国”时,顽强的女孩罗宾与她忠诚的朋友们——“帽子帮”(Hoods)决定挺身而出,用自己的方式
该死的赫梅
Eyüp works relentlessly under the blazing sun during a tomato harvest in southeastern Turkey, driven
D日24小时倒计时
Nick Annunziata,查尔斯·克利夫兰,Eric Roberts
爱将我们分开
「Love Will Tear Us Apart」では、久保田演じる真下わかばに関わる人たちが次々と殺されていくさまが描かれる。
圣诞犯罪故事
  A botched Christmas Eve robbery leads down a destructive path for a police officer reconnecting wi
切肤
  故事讲述一个本来事业和爱情双得意的女子,因为一次意外事故把腿撞成重伤,并由此引发出她人生的改变。事故后,她逐渐发觉自己的肉体与灵魂发生了剥离,而且总有冲动要自残,除了刮破皮肉,她甚至还有把自己的胳
无声无息
  2008年,一群来自丹麦和欧洲各地的人在丹麦领土上实施了有史以来最大的抢劫。卡斯帕是一名生命中几乎没有机会的拳击手,他有机会由外国发起人策划抢劫。冒着失去家人和对他来说重要的一切的风险,他接受了挑
横须贺夹克功夫
  「強くなりたい」と願いながらも、日々カンフー映画を見ては自分に重ね合わせ、強くなった気になっているだけのうだつの上がらない青年タカキ。密かに想いを寄せる映画館の受付嬢・悦子に「弱い男は嫌い」と言わ
爱的力量2005
  大卫(Eben Gordon 饰)出生在一个中产阶级家庭之中,从小过着优渥的生活,可即便这样,大卫依然对自己的人生感到非常的迷惘。外人看来,他的家庭完美无缺,可只有他自己知道,复杂的家庭关系早就已
公告

hello~欢迎访问ITV影视一起看片追剧,如果资源无法播放请切换线路或等待管理修复,优先修复热播影视。

下载app防止失联 享受急速观影

《备用网址1》 《备用网址2》 《免费领取自媒体资源》

视频 明星搜卷
搜索历史
删除
热门搜索
本地记录 云端记录
登录账号